TBT:A Glimpse Back in Time

Another blogger, SunandGold, recently did  a posting from her time spent in San Francisco. Her interest and fascination with the city/culture was shared by me 45+ years ago. I promised I would post these photos from 1970 in one posting ( rather than individual posts that I did in the past) so she could get a slight inclination of what the city was like all those years ago, measured against her recent visit to the city.

If you look closely at the image of Vanessi’s you will see a woman walking alongside the building, having come down Telegraph Hill. The image below, looking up that same street, shows a lone man in a suit walking to work ( this was a morning shot). Anyway, two points:the woman is wearing a scarf. This type of dress or accessory died off or fell out of favor shortly after this time. Also, personally for me or about me, both of these images portray the individual /subject as being a small, insignificant part of the world they are captured in, in terms of composition. To this day I have continued this approach, portraying a sense of ‘aloneness’, in many street shots of people. It almost seems like an unconscious methodology or approach to people. Even in the most crowded of spaces, people find themselves isolated. The images with cars in them also help validate the point in time in which I shot these film images all those years ago.

 

I think the rest of the images are, for the most part, self explanatory. Of interest might be the image adjacent to the City Lights Bookstore. If you look at the reader board on the building you can actually read the band/musicians on the bill for that week, which in some sense helps to corroborate the time at which the image was shot. Keystone Korner was a great venue for catching current musicians such as Boz Scaggs and Bennhy Cecil and the Snakes! I think it was an over 21 club, but I could be wrong.

Thanks for going along for this short ride into the past with me!

Skinny Houses

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I took this photo 6 years ago in NE Portland, OR. The houses were probably less than a year old at the time. This past summer I was contacted by someone in Mass. regarding the use of this image for an Urban Design and Planning Quarterly. Not sure when the magazine will be published. It was a bit of an ordeal getting the images transmitted. They wanted large res versions, as this is, and email didn’t work. I ended up loading the images to my Dropbox account and giving the contact person in Mass. access to that account.

All’s well that ends well.

History Intertwined

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In 1962 Seattle architect Paul Thiry did the design of some of the buildings at the Worlds Fair. Just as a side note, he also designed a house less than a mile from my home, on Marine View Drive, in Arbor Heights ( image above). The image of the NW Rooms refers to a series of rooms in a building Thiry designed. Today those rooms are no longer named NW Rooms, but are being used by SIFF and The Vera project, among others.

One of the rooms was called The Nisqually Room. In 1970, a band I was in played one or maybe two nights for some event ( I’ve been told it was a after-concert party for the All City Band in Seattle. I think we owed the music teacher of our high school a favor for letting us practice in his home basement and school music room. Mr. Terpenning was only a few years older than us and was supportive of what we were doing-which didn’t seem too odd at the time, but now……?). That was probably the largest room we ever played.  The ceiling was so high the sound went everywhere at once and kind of morphed into something long and echoing.

The article in the link does not say what the Nisqually Room morphed into over the years. It may have been  combined with an adjacent room. I have walked up and down the steps and around this set of rooms and my memory says one thing and the physical structures say another.

Anyways, I thought it was interesting that my history and that of Paul Thirys’ met 8 or so years after his design and contribution to the Worlds Fair in 1962.