Category Archives: 35mm

Gas Works Park

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I shot this years ago, on my Minolta X-700 35mmSLR, at Gas Works Park in Seattle. I was taking a photography workshop and they did field trips on the weekends. We met up at different locations and just wandered around, shooting whatever we wanted. If you ever run across a group of lost-looking photographers wandering about a public space, it is probably a class or workshop on a field trip or exercise.

PS: Eight months on and I’m still wearing a boot due to the fractured  4th metatarsal bone. I haven’t been out much with my camera. Poor weather ( typical for Seattle) is also a factor. So, I’ve dug into the archives and re-edited some old film images to post. Just for those doubters, here is the latest X-ray of right foot taken two weeks ago. Little or no healing, so I am now using a device called a Bone Stimulator that attaches to the foot, directly over the fracture. The theory is: wave pulses are sent to the affected area, which is supposed to increase blood flow which = bone growth. Hoping it works!fullsizeoutput_3a07

Cacti

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TBT:A Glimpse Back in Time

Another blogger, SunandGold, recently did  a posting from her time spent in San Francisco. Her interest and fascination with the city/culture was shared by me 45+ years ago. I promised I would post these photos from 1970 in one posting ( rather than individual posts that I did in the past) so she could get a slight inclination of what the city was like all those years ago, measured against her recent visit to the city.

If you look closely at the image of Vanessi’s you will see a woman walking alongside the building, having come down Telegraph Hill. The image below, looking up that same street, shows a lone man in a suit walking to work ( this was a morning shot). Anyway, two points:the woman is wearing a scarf. This type of dress or accessory died off or fell out of favor shortly after this time. Also, personally for me or about me, both of these images portray the individual /subject as being a small, insignificant part of the world they are captured in, in terms of composition. To this day I have continued this approach, portraying a sense of ‘aloneness’, in many street shots of people. It almost seems like an unconscious methodology or approach to people. Even in the most crowded of spaces, people find themselves isolated. The images with cars in them also help validate the point in time in which I shot these film images all those years ago.

 

I think the rest of the images are, for the most part, self explanatory. Of interest might be the image adjacent to the City Lights Bookstore. If you look at the reader board on the building you can actually read the band/musicians on the bill for that week, which in some sense helps to corroborate the time at which the image was shot. Keystone Korner was a great venue for catching current musicians such as Boz Scaggs and Bennhy Cecil and the Snakes! I think it was an over 21 club, but I could be wrong.

Thanks for going along for this short ride into the past with me!

Sunday, 1970

IMG_0005 - Version 2-001Saints Peter and Paul Church, North Beach, San Francisco, CA. 1970. Hasn’t changed much over the past few decades.

“Meet me Where the Pavement Ends” (B&W version)

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A Black and White version of the previous posting. Shot in 1996 on film. Once I scanned it into a PC a few years ago, I have made some minor adjustments, cropping and contrast mostly, converting to B&W. Of the thousands of images I have shot since, this one remains in my top ten. Interestingly enough, I have shown this image in at least three shows, and it has never sold. My next door neighbor, Hanna, my wife and daughter love it though. So, all is not lost :-).

Black Sun

 

 

Top of the Space Needle.

Posting from Portland this week. image

Oregon Coast

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This closes out Beach Week. A couple of these images, this week, were originally shot on film and then the prints were later scanned into a PC. My sense is that the film images are a little ‘softer’ than digital, but I really don’t know how to describe that difference.

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