
Return from the vanishing point.

Return from the vanishing point.



Some images taken in 2012 in the Georgetown area of Seattle. Years ago I was shooting in a few neighborhoods or sections of Seattle that seemed to be gentrifying faster than I could cover: Georgetown, First Hill and SODO. At the time of shooting these images, this wall ( if you zoom in a little), you can see the large, metal support poles holding this free standing brick wall. Developers, with the permission or encouragement of the City, rarely side with the notion of preservation. Eventually, this policy, destroys any hope for a sense of history to survive. If you control the perception of the past, by elimination, you lose the sense of connection to the history of our past.
{Quick health update: my last scan showed that the areas of concern are ‘stable’, which is good news. I’m still doing immunotherapy ( Durvalumab) every 28 days, which will continue ‘indefinitely ‘. Being a cancer patient for 18 or so months has been weird, but so far I think I’m one of the lucky ones.}

Grand Central Station, March, 2010.


Abandoned, Ireland, 2016.

Can’t say enough good things about the Oncology staff and especially the nurses. It’s got to be a taxing job, on many levels. I have a great rapport with my Oncologist-brilliant guy!

Don’t sweat the small stuff.
All good 👍🏻💪🏻🙏🏻.


Located in San Francisco, Keystone Korner was a great venue for live music, especially jazz and blues. Apparently the venue moved to Baltimore. Also, there is some incorrect info on the web regarding the year the venue opened. One site listed it as opening in 1972. I believe the opening was in the late 60’s and operated until 1983. I was only 18 when this photo was taken so I wasn’t able to legally go inside. During this same trip I visited a club in Berkeley on Telegraph Ave. On that evening I stood outside of the service entrance and listened to Mose Allison for a couple of hours.
This image was scanned from a 110 50 year old print. Anyway, Boz Scaggs and Benny Cecil and the Snakes’ were on the bill.
Committed to amplifying underground independent sounds.
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