This station is the end of the F and G lines. Subway trains pull inside the large covered area and then proceed to head out in the opposite direction. The station actually faces Surf Ave. but for whatever reason, it is named Stillwell Ave. Station. I think the station got a major facelift a few years ago. Stillwell Ave. may be the street on the left ( as you look at this image) of the Station. I have entered and exited from both sides and they both work just fine, however more shops can be seen if you enter via Surf Ave. You can imagine the throngs of people heading to the beach in the summer, cascading out of the two exits. In October it is deserted, aside from a few odd travelers such as myself :-).
Category: B&W
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Location: Lower East Side, NYC.
Busker in Central Park
Accordionist in Central Park.
Mt. Rainier
A view of Mt. Rainier from the south end of the Yakima River Canyon.
TBT:A Glimpse Back in Time
Another blogger, SunandGold, recently did a posting from her time spent in San Francisco. Her interest and fascination with the city/culture was shared by me 45+ years ago. I promised I would post these photos from 1970 in one posting ( rather than individual posts that I did in the past) so she could get a slight inclination of what the city was like all those years ago, measured against her recent visit to the city.
If you look closely at the image of Vanessi’s you will see a woman walking alongside the building, having come down Telegraph Hill. The image below, looking up that same street, shows a lone man in a suit walking to work ( this was a morning shot). Anyway, two points:the woman is wearing a scarf. This type of dress or accessory died off or fell out of favor shortly after this time. Also, personally for me or about me, both of these images portray the individual /subject as being a small, insignificant part of the world they are captured in, in terms of composition. To this day I have continued this approach, portraying a sense of ‘aloneness’, in many street shots of people. It almost seems like an unconscious methodology or approach to people. Even in the most crowded of spaces, people find themselves isolated. The images with cars in them also help validate the point in time in which I shot these film images all those years ago.
I think the rest of the images are, for the most part, self explanatory. Of interest might be the image adjacent to the City Lights Bookstore. If you look at the reader board on the building you can actually read the band/musicians on the bill for that week, which in some sense helps to corroborate the time at which the image was shot. Keystone Korner was a great venue for catching current musicians such as Boz Scaggs and Bennhy Cecil and the Snakes! I think it was an over 21 club, but I could be wrong.
Thanks for going along for this short ride into the past with me!
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I dug around in my lens collection last week and found a 50mm 1.8 Nikon lens I hadn’t used in years, if ever. I was watching a video lesson online about street photography and the photographer was using a 50mm lens, which is something I haven’t thought to do when I do street shooting. The lens forces you to get a little closer to your subject, but the results seem pretty cool. So…. this was my first foray into playing around with an old lens. I was pretty happy with the results. Since it is a prime lens and not a zoom, you do all of your focusing with your feet as opposed to the lens. That was one or the points I remember from a photography class I took with The Mountaineers nearly ten years ago; one of the guest lecturers pushed the point the ‘focussing with your feet’ is the best approach in some situations.
Sage advice. If anyone in Seattle is ever interested in a one week photo workshop I highly recommend the one The Mountaineers put on. Very reasonable price-wise and just really interesting classes as well as a field trip every Saturday or Sunday. I’ll never forget my experience. I was, at that time, about the only person in the 100 group that shot in film! I was using my Minolta X700 and everyone else had digital cameras. But, that was okay. I needed more film time and the info transfers pretty good to the digital format.
Post-Industrial America
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Idle crane at an abandoned scrap yard in South Seattle.



