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I dug around in my lens collection last week and found a 50mm 1.8 Nikon lens I hadn’t used in years, if ever. I was watching a video lesson online about street photography and the photographer was using a 50mm lens, which is something I haven’t thought to do when I do street shooting. The lens forces you to get a little closer to your subject, but the results seem pretty cool. So…. this was my first foray into playing around with an old lens. I was pretty happy with the results. Since it is a prime lens and not a zoom, you do all of your focusing with your feet as opposed to the lens. That was one or the points I remember from a photography class I took with The Mountaineers nearly ten years ago; one of the guest lecturers pushed the point the ‘focussing with your feet’ is the best approach in some situations.

Sage advice. If anyone in Seattle is ever interested in a one week photo workshop I highly recommend the one The Mountaineers put on. Very reasonable price-wise and just really interesting classes as well as a field trip every Saturday or Sunday. I’ll never forget my experience. I was, at that time, about the only person in the 100 group that shot in film! I was using my Minolta X700 and everyone else had digital cameras. But, that was okay. I needed more film time and the info transfers pretty good to the digital format.

History Intertwined

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In 1962 Seattle architect Paul Thiry did the design of some of the buildings at the Worlds Fair. Just as a side note, he also designed a house less than a mile from my home, on Marine View Drive, in Arbor Heights ( image above). The image of the NW Rooms refers to a series of rooms in a building Thiry designed. Today those rooms are no longer named NW Rooms, but are being used by SIFF and The Vera project, among others.

One of the rooms was called The Nisqually Room. In 1970, a band I was in played one or maybe two nights for some event ( I’ve been told it was a after-concert party for the All City Band in Seattle. I think we owed the music teacher of our high school a favor for letting us practice in his home basement and school music room. Mr. Terpenning was only a few years older than us and was supportive of what we were doing-which didn’t seem too odd at the time, but now……?). That was probably the largest room we ever played.  The ceiling was so high the sound went everywhere at once and kind of morphed into something long and echoing.

The article in the link does not say what the Nisqually Room morphed into over the years. It may have been  combined with an adjacent room. I have walked up and down the steps and around this set of rooms and my memory says one thing and the physical structures say another.

Anyways, I thought it was interesting that my history and that of Paul Thirys’ met 8 or so years after his design and contribution to the Worlds Fair in 1962.

New 14th St. Bridge

Looking Back Thursday: Telegraph Hill

Looking down Telegraph Hill towards the south. Photo taken in July, 1970. I thought it was really interesting that the sidewalks were actually sidewalk-steps, which made sense considering the grade of the hill. Also, the Bay Windows, I thought, were really neat architecturally. And, the cobblestone street (sometimes there was a layer of cement over the stones, but the cement never seemed to work well)-with all of its bumps, etc. Like stepping back farther in time than even 1970.IMG_0004 - Version 2-001